Wednesday, April 20, 2011
To play a circus performer in the big-screen adaptation of Water for Elephants, Reese Witherspoon had to transform her chic modern style into a believable retro look, something she couldn’t have done without the expertise of wardrobe designer Jacqueline West. “In the 1930s, gowns were very revealing, ” says West. “The women of that era wore them without any underwear, so that’s what Reese did. She was very brave.” Witherspoon’s co-star Robert Pattinson also got into character with his unmentionables. “He loved that I had authentic 1930s underwear for him,” West remembers. “He said it helped transport him.”
Win a one-of-a-kind reproduction of the red gown Witherspoon’s character wears! How to win the dress shown: Visit the InStyle Facebook page this Friday, April 22nd (the same day the movie hits theaters) at 3pm EST and be the first person to correctly answer a trivia question.
What we wouldn’t give to have been on set THAT day!
Robert Pattinson continues his press tour for Water for Elephants by stopping by The Ellen DeGeneres Show airing Wednesday, to discuss his, um, unmentionables.
The Twilight star revealed to Ellen DeGeneres that he had a wardrobe malfunction — in a pair of Ellen-branded undies! RPattz explained he was down to his last pair of underwear, and chose to wear a pair Ellen had recently given him on set.
He told the talk show host, “I only had one pair left and they were those ones (“Ellen” underwear). We were doing this big fight screen and for some reason I think the shape of my body, my back is too long or something. So my a** is constantly hanging out!”
He added, “Every single shot we were doing this big fight and every shot has these Ellen underpants. It came to a point where producers are calling up my agent going, ‘I don’t know what he is up to but I don’t like it!’”
Ellen rewarded him with a gift of (what else?) a basket full of Ellen underwear! The full episode airs Wednesday, April 20th.
Robs Interview with Reelz Channel
Rob's Interview with Buzzine
Emmanuel Itier: How was it with working all these wild animals, and has your conception of circuses changed while doing this movie in the sense of how they treat animals?
Robert Pattinson: I don’t really know how circuses themselves treat animals. I know a lot of circuses get a bad name for it, but none of the animals we had were from circuses; they were all film animals and stuff. I know how hard it must be. It must be just ridiculous because it’s relentless…because of the amount of injuries the animals get and stuff. For instance, with the horses -- to teach those horses the tricks that they needed to know, it took months and months and months and months. If one of them goes down, there’s no back-up or anything. It’s going to take another six months to train a horse. It’s so precarious, running a circus so much. But working with wild animals, for me, was one of the things which I thought made the job easier. Even before we started, I was thinking it’s like doing a job where you’re just working with babies all the time, because the babies are going to do their own thing and you just react to the baby. I mean, if you've got an elephant in the scene and the elephant is kind of doing whatever it wants, it’s so easy to play anything because you suddenly have a trunk in your face or something, and then you've got to just make something up. No one expects the scene to be totally perfect because everyone has accepted that these are wild animals, and whatever comes will come. It’s not all like, “The animal's got to hit its mark!” It’s never going to be like that. It made it very a relaxing set, in a weird sort of way.
EI: Were there any scary moments at all with the animals?
RP: There was one with the zebras. They’re a lot smarter than horses, and you cannot control them. They’re impossible to tame. If you tie them down, they just drag the rope out, and if they didn’t drag the rope out, they just keep kicking anything around. One of them pulled away and ran toward me. It was part of the scene and I got out of the way. I found out afterwards that everyone thought I was a pussy for getting out of the way. Apparently Christoph [Waltz] had gotten in front of Reese [Witherspoon] and other actresses in apparently protecting them. I was just like, “Really? Christoph was going to risk his life for the scene? Why didn’t he just get out of the way?” I watched back the playback and Reese just grabbed Christoph and used him as a shield from the zebra. It’s very funny, and he’s going around claiming like, “Yeah, I just ran in front of them. [Laughs] The zebra was not going to get past me.”
EI: That brings me to what the director says about you. It’s hard to find a man of 23-24 and who is too young for the part. So he says, "Rob was already a man – thoughtful, intelligent, empathetic, strong, and confident." What can you identify with, and what makes a man a man?
RP: I always just think if you’re comfortable in who you are, then that’s it. I don’t know if people ever really are but if you can be a man, I guess that’s what I see being a man or whatever to be.
EI: Do you feel grown up?
RP: Sort of, and not at all. It’s weird. If you’re doing films, I do feel like you get stuck in little time bubbles, especially with the fame thing as well, where you’re not meeting new people. I never meet anyone. Also, you have to have the same conversation all the time. Everyone who to talks to you -- you just have the same conversation pretty much. So you never develop how most people mature. You see/hear people’s different perspectives on things, but you've got to go through the same trivial bullshit every time you’re talking to them. Eventually it does affect your mind. You don’t actually know how to have a conversation with people about anything else. If someone’s not talking about you, you’ll like, “Uh!” [Laughs]
EI: Where do you go when you want to have a piece of that normal life?
RP: One thing I found: if you are going to do a film, for instance -- not just as an actor, and you’re forcing yourself, like you have to go to meetings and people have to treat you as an actual engineer in the process... That’s why I want to do that and just be... If you’re producing or something, but in a genuine level, not as a vanity credit or anything, where people actually have to come to you with their problems, then you kind of bring it back again. But if you’re just an actor, it’s so funny because people feel like they just have to hide everything from you all the time. It’s like, “Oh, don’t let them get upset about anything,” which is so bizarre. You’re like a little bird. You've got like security around you all the time.
EI: When Jacob sees Marlena, he falls in love with her immediately. Do you believe in love at first sight?
RP: Yeah, completely.
EI: Did that ever happen to you?
RP: A lot … I would have thought the majority of people who think they’re in love with someone, I think it’s the first time they see them. I mean the first time they really see them anyway, I think.
EI: How do you know that you are in love? What kind of a feeling is that for you?
RP: I don’t know. It’s impossible to answer.
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